I will have to follow in Mr. O'Malley's footsteps and choose my favorite war movie, Patton. It is the story of General George S. Patton and his conquest through Africa and Sicily and his leadership of the Third Army in Europe. In many ways, Patton was a divisive character in American history, but Francis Ford Coppolla, who wrote the screen play, does an uncanny job at portraying a Patton that liberals and conservatives alike can relate to.
The movie starts with an incredibly famous image: Patton lecturing in front of an enormous American flag, but I chose a more subtle image to blog about. A side of Patton that Coppolla really exploits is his historic and romantic approach to warfare. This is exemplified in a few scenes that show Patton on an ancient battlefield, incredibly absorbed by the memories of past soldiers and warfare.
The film does more to glorify war than detract from it. Curiously, however, the movie presents some feelings of resentment toward the technological advancement of war. Toward the end of the film, Patton says that he is glad that he will never see the day when war is fought without troops, soldiers, advancements, and retreats. "When compared to war, all other forms of human endeavor shrink to insignificance," Patton proclaims. The movie certainly glorifies the pure, historical nature of war.
This is completely different from Vonnegut's goals in Slaughterhouse-Five. Vonnegut exposes the destructive nature of war where Patton celebrates the old battlefield. Because of this vital difference in authorial intention, Mary O'Hare would undoubtedly hate Patton.
Tuesday, May 24, 2011
Wednesday, May 4, 2011
A-llusions...not Illusions! A-llusions!
So Mark O'Malley was over at my house this past weekend, and we decided to watch the classic film, One Flew Over the Cuckoo's Nest, which Mark had never seen. I had seen the movie about five times or so, but when I went to bed later that night, I thought more about what the movie meant. We had just wrapped up our reading of The Metamorphosis and discussion of biblical allusion, and I began to explore what biblical themes were present in Cuckoo's Nest:
McMurphy seems to play the role of Jesus and the other mental patients are his disciples. They follow him in opposition to Nurse Ratchet who seems to play the devil (quiet, sinister, and with hair rolled up to actually look like devil horns). The next part of the analysis will spoil the end of the movie so here is a warning to stop reading if you do not want the movie ruined for you.
At the end of the movie, McMurphy leads his "disciples" in a night of alcohol and sex which may be seen as a sort of last supper. In the penultimate scene, Nurse Ratchet finds the mess and a naked Billy (one of the "disciples") in bed with a woman. When Nurse Ratchet questions Billy as to who put him up to it, Billy takes on the role of Judas and betrays McMurphy by ratting him out to the nurse before being hauled away. In the confusion, McMurphy begins to escape from the hospital when he hears a scream from the next room. At this point he has a clear choice: he could escape out the window or go to see what happened to his friend Billy. He choses the latter, sacrificing himself. When McMurphy finds that Billy has killed himself (just as Judas did), he begins to choke Nurse Ratchet until he is knocked out by the guards.
McMurphy is then lobotomized for his efforts, and the sacrifice is complete. In the final scene, Chief kills McMurphy, not wanting to see him live as a vegetable, and escapes out of the hospital. McMurphy is thus resurrected in the form of Chief.
This seems to fit really well. It's an interesting move comparing McMurphy, a man of multiple vices, to Jesus, the Western symbol of innocence. By the same token, Nurse Ratchet, a "respectable" mental therapist, is portrayed as the devil. This allusion added a whole other component to the movie that I was previously not privy to.
(P.S. for those true Cuckoo's Nest fans out there: the title of this blog is actually a line said by Mr. Harding in the movie. Give yourself a pat on the back if you noticed that before reading this line!)
McMurphy seems to play the role of Jesus and the other mental patients are his disciples. They follow him in opposition to Nurse Ratchet who seems to play the devil (quiet, sinister, and with hair rolled up to actually look like devil horns). The next part of the analysis will spoil the end of the movie so here is a warning to stop reading if you do not want the movie ruined for you.
At the end of the movie, McMurphy leads his "disciples" in a night of alcohol and sex which may be seen as a sort of last supper. In the penultimate scene, Nurse Ratchet finds the mess and a naked Billy (one of the "disciples") in bed with a woman. When Nurse Ratchet questions Billy as to who put him up to it, Billy takes on the role of Judas and betrays McMurphy by ratting him out to the nurse before being hauled away. In the confusion, McMurphy begins to escape from the hospital when he hears a scream from the next room. At this point he has a clear choice: he could escape out the window or go to see what happened to his friend Billy. He choses the latter, sacrificing himself. When McMurphy finds that Billy has killed himself (just as Judas did), he begins to choke Nurse Ratchet until he is knocked out by the guards.
McMurphy is then lobotomized for his efforts, and the sacrifice is complete. In the final scene, Chief kills McMurphy, not wanting to see him live as a vegetable, and escapes out of the hospital. McMurphy is thus resurrected in the form of Chief.
This seems to fit really well. It's an interesting move comparing McMurphy, a man of multiple vices, to Jesus, the Western symbol of innocence. By the same token, Nurse Ratchet, a "respectable" mental therapist, is portrayed as the devil. This allusion added a whole other component to the movie that I was previously not privy to.
(P.S. for those true Cuckoo's Nest fans out there: the title of this blog is actually a line said by Mr. Harding in the movie. Give yourself a pat on the back if you noticed that before reading this line!)
Wednesday, April 27, 2011
True West and Plays as a Genre
We recently watched True West. Although we haven't finished the whole play, I've found it really interesting for two reasons: 1) it's just an intense and intriguing story and 2) it was written as a play. I never had really encountered a play as a text before, and although we aren't actually reading it, I'm curious about the genre.
I guess I'm wondering if anyone else has ever read a play (other than Shakespeare and Fences) before. What is your favorite one? This quarter I've come into contact with graphic novels for the first time and learned its advantages, so I guess I'd like to explore drama as well. Any comments would be appreciated (including recommendations).
I guess I'm wondering if anyone else has ever read a play (other than Shakespeare and Fences) before. What is your favorite one? This quarter I've come into contact with graphic novels for the first time and learned its advantages, so I guess I'd like to explore drama as well. Any comments would be appreciated (including recommendations).
Monday, April 18, 2011
Existentialism
I'll start with the disclaimer that this blog post is actually intended for last week. Please still feel free to comment though: I'm sure you could count it as one of your two comments for this week.
This year, for me at least, Existentialism has been everywhere. I first dealt with it in AP Euro, came across it again in AP Composition, had a unit on it in Philosophy, and now am reading Kafka's Metamorphosis in College Lit. What interests me most about Existentialism is how loosely defined it is.
From what I've gathered, Existentialism is concerned with human anxiety, angst, and worry. It can take many forms--from plays to novels to poetry--but it's primary focus is a somehow corrupted human existence.
With that all in mind, and given the context of Metamorphosis (which explicitly deals with all of the above), the purpose of this blog is to share any thoughts--relating to Kafka's novella or otherwise--dealing with Existentialism. This could possibly be a personal story of an experience with anxiety or inadequacy, a response to Metamorphosis, an opinion of Existentialism, something to add to the definition I provided, or any other thoughts on the topic.
I hope someone reads this.
This year, for me at least, Existentialism has been everywhere. I first dealt with it in AP Euro, came across it again in AP Composition, had a unit on it in Philosophy, and now am reading Kafka's Metamorphosis in College Lit. What interests me most about Existentialism is how loosely defined it is.
From what I've gathered, Existentialism is concerned with human anxiety, angst, and worry. It can take many forms--from plays to novels to poetry--but it's primary focus is a somehow corrupted human existence.
With that all in mind, and given the context of Metamorphosis (which explicitly deals with all of the above), the purpose of this blog is to share any thoughts--relating to Kafka's novella or otherwise--dealing with Existentialism. This could possibly be a personal story of an experience with anxiety or inadequacy, a response to Metamorphosis, an opinion of Existentialism, something to add to the definition I provided, or any other thoughts on the topic.
I hope someone reads this.
Thursday, April 7, 2011
Intro
Currently, my time is divided up between school, sports, and work, so it's hard to find time to dedicate to my other interests which include painting, disc golfing, and listening to/finding music. After high school, I plan to attend a four-year university--not sure which one yet. My musicians are Van Morrison, Bob Dylan, Miles Davis, Simon and Garfunkel, and many more.
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